Variant A · Filmstrip Text sits up top, then a full row of five frames. The repetition is the argument: same light every time, five different people. Scales beautifully wide, which suits the big-monitor assumption.
Lincoln, Nebraska
Headshots your team will actually like
On-site at your Lincoln office or in studio. Same light, same lens, same finish for everyone. The only thing that changes is the person in front of it.
A real number in about ten seconds. No waiting on a callback.
Variant B · Two big frames Fewer, larger. Faces are big enough to actually read the work, and the offset second frame keeps it from feeling like a stack of boxes. Quietest and most premium of the three.
Lincoln, Nebraska
Headshots your team will actually like
On-site at your Lincoln office or in studio. Same light, same lens, same finish for everyone. The only thing that changes is the person in front of it.
A real number in about ten seconds. No waiting on a callback.
Variant C · Feature plus understrip One big frame carries the hero, then a quiet four-across band underneath does the consistency argument without competing. Hybrid of A and B, and the tallest of the three.
Lincoln, Nebraska
Headshots your team will actually like
On-site at your Lincoln office or in studio. Same light, same lens, same finish for everyone. The only thing that changes is the person in front of it.
A real number in about ten seconds. No waiting on a callback.